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Semester of Intellectual
Property (SIP) Project
University of Iowa
Spring 2005
For more info, contact kembrew@kembrew.com
or poroi@uiowa.edu
The Semester of Intellectual Properties (SIP) Project, sponsored
by POROI, was organized to foster an interdisciplinary dialog about
the impact of intellectual property laws on society. The topic of
intellectual property has attracted much attention of late because
of its impact on libraries, genetic research, music, art and farming,
as well as academic research, publishing and teaching.
It is important to find a balance between protecting creators and
enhancing the free flow of information and culture, something many
legal scholars have argued was the reason why copyright and patent
protections were placed in the U.S. Constitution. It is for these
reasons that POROI has mounted this university- and community-based
project.
For more information, link to: http://www.uiowa.edu/~poroi/SIP/SIPindex.htm
SCHEDULED EVENTS:
Forum on Music Downloading
with the A. Craig Baird Debate Team and music industry representatives
February 2, 2005, 7-8:30pm
Van Allen, Lecture Room 2
The Downloading Forum is a one-night event with two major components:
a student debate and a panel discussion about music downloading.
The debate will last 45 minutes, and will be followed by a 45 minute
roundtable discussion with UI professor of law Christina Bohannan,
SoundExchange Executive Director John L. Simson, local musician
and indie label owner Dave Zollo, and Jenny Toomey, indie music
legend and co-founder of the Future of Music Coalition. KRUI and
WSUI will broadcast the debate and roundtable.
Ida Beam Distinguished Visiting Professor Lecture
Rebecca Eisenberg, University of Michigan Law School
February 24, 2005, 7pm
R. Wayne Richey Ballroom, IMU
Rebecca S. Eisenberg — Robert and Barbara Luciano Professor
of Law at the University of Michigan — has played an active
role in public policy debates concerning the role of intellectual
property in biomedical research, publishing in scientific journals
as well as law reviews. She has written and lectured extensively
about patent law as applied to biotechnology and the role of intellectual
property at the public-private divide in research science. She is
a graduate of Stanford University and Boalt Hall School of Law at
the University of California, Berkeley, where she was articles editor
of the California Law Review. Following law school she served as
law clerk for Chief Judge Robert F. Peckham on the United States
District Court for the Northern District of California and then
practiced law as a litigator in San Francisco. She joined the University
of Michigan Law School faculty in 1984.
Intellectual Property: An Interdisciplinary Conversation
February 25, 2005, 9am-4:15pm
College of Law, 4th Floor Student Lounge
This one-day symposium brings together a diverse range of scholars
and professionals who are interested in, or impacted by, intellectual
property law. Aimed at a general audience and open to the public,
the panels will consist of distinguished visiting speakers and members
of the University of Iowa community. Confirmed panelists include
keynote speaker Siva Vaidhyanathan (New York University, Department
of Culture and Communication), Rebecca Eisenberg (University of
Michigan Law School), Adrian Johns (University of Chicago, History),
Eva Hemmungs Wirtén (Uppsala University, Sweden), Sut Jhally
(U Mass-Amherst, Communication Department and Executive Director
of Media Education Foundation), Steve Jones (University of Illinois,
Professor of Communication and Research Associate in the Electronic
Visualization Laboratory), David Sanjek (Broadcast Music Incorporated
Archives Director), Ted Striphas (Indiana University, Department
of Communication and Culture), Gil Rodman (University of South Florida,
Department of Communication), Paula Kaufman (U of Illinois at Urbana-Champaign,
University Librarian), and John Wilbanks (Executive Director of
Science Commons).
Hip Hop Week, Copyright Criminals preview and Sampling
Panel
April 12-16, 2005
During April 12-16, 2005, the Bijou Theater will offer screenings
of hip-hop films and documentaries that are free and open to the
public, as well as a preview of Ben Franzen’s and Kembrew
McLeod’s Copyright Criminals: This is a Sampling Sport, a
documentary about the history of musical collage and sampling. The
Bijou screenings will be held in conjunction with a weeklong hip-hop
festival of hip-hop music and culture co-organized by SCOPE, the
Black Graduate & Professional Student Organization, the Bijou,
Hip-Hop Group, Lecture Committee, POROI. On April 14, 2005, the
night of the major hip-hop concert at the IMU, a panel on the legal
and cultural implications of digital sampling/collage will take
place. The panel will include the evening’s hip-hop performers,
as well as Iowa City hip-hop producer Tack Fu and UI prof. Kembrew
McLeod.
RELATED EVENTS OF INTEREST:
Liberated Images: Collage & Zines
December – March, 2005
North Hall Exhibition in UI’s Main Library
http://www.lib.uiowa.edu/exhibit/friends/liberatedimages.html
Live from Prairie Lights
February 22, 2005
http://wsui.uiowa.edu/prairie_lights.htm
Kembrew McLeod will read from his book Freedom of Expression®:
Overzealous Copyright Bozos and Other Enemies of Creativity on the
WSUI/KSUI program “Live from Prairie Lights” three days
before the intellectual property symposium.
Collage As Cultural Practice Conference
Obermann Humanities Symposium co-organized by Reudi Kuenzli and
Kembrew McLeod
March 24-26, 2005
http://www.uiowa.edu/obermann/collage.html
“Collage as Cultural Practice” seeks to examine interventionist
collage practices in all media, with an emphasis on the social,
political, and legal implications of this method of appropriation.
The conference, taking place March 24–26, 2005, at the University
of Iowa, will interrogate the political and social dimensions of
collage as a practice that enables oppositional commentary across
the cultural spectrum: from the leftist collages of the Dadaists
and the Situationists to the unauthorized use of corporate trademarks,
interventions by queer activists, and the more recent flurry of
Internet-distributed antiwar video collage pieces that appropriate
from the mainstream media in satirical ways. We seek to bring together
scholars of, and practitioners in, the media of film and video,
music, literature, visual arts and beyond.
Confirmed speakers/performers/artists include: Patricia R. Zimmermann,
Rosemary Coombe, Carrie McLaren, Mark Hosler, Philo Farnsworth,
Steev Hise, Craig Baldwin, Joshua Clover, Douglas Kahn, and Ximena
Cuevas
Featured performers: Tape-beatles and Negativland’s Mark Hosler
Interventionist Collage: From Dada to the Present
February 12 - April 3, 2005
University of Iowa Museum of Art
Hoover-Paul Works on Paper Gallery
http://www.uiowa.edu/uima/exhibitions/index.html
Focusing on the connection between today's collage artists who
creatively and critically respond to the flood of mass media images,
messages, and sounds, and 20th century avant-garde movements, this
exhibition will include pieces by Max Ernst, John Heartfield, Hannah
Hoech, Robert Rauschenberg , and Kurt Schwitters, primarily from
University of Iowa collections. The exhibition is presented as part
of the 2004-2005 Obermann Humanties Symposium, "Collage as
Cultural Practice" and is curated by Dr. Rudolph Kuenzli, UI
Professor, of English and Cinema and Comparative Literature.
Ida Beam Distinguished Visiting Professor Lecture
Rosemary Coombe , York University
March 24, 2005, 7:30pm, UI Museum of Art
http://www.uiowa.edu/obermann/collage.html
"The Contested Commons: Creative Practices and Cultural Rights
Principles"
Rosemary J. Coombe is a Tier One Canada Research Chair in Law,
Communication and Cultural Studies at York University in Toronto,
where she teaches in the Communications and Culture Joint PhD/MA
Programme, and is cross-appointed to the Osgoode Hall Faculty of
Law Graduate Programme, and the Graduate Programme in Social and
Political Thought. She holds a J.S.D. from Stanford University with
a Minor in Anthropology and publishes widely in anthropology and
political and legal theory. Her work addresses the cultural, political,
and social implications of intellectual property laws. Her book,
The Cultural Life of Intellectual Properties is a legal ethnography
of the ways in which intellectual property law shapes cultural politics
in consumer societies.
Ida Beam Distinguished Visiting Professor Lecture
Patricia R. Zimmermann, Ithaca College
March 24, 2005, 4pm, UI Museum of Art
http://www.uiowa.edu/obermann/collage.html
"Reverse Engineering"
Patricia R. Zimmermann is professor in the Department of Cinema
and Photography at Ithaca College, Ithaca, New York, USA. She is
the author of REEL FAMILIES: A SOCIAL HISTORY OF AMATEUR FILM (Indiana,
1995) and STATES OF EMERGENCY: DOCUMENTARIES, WARS, DEMOCRACIES
(Minnesota, 2000). She has delivered invited lectures and plenary
addresses across the globe -- Canada, Colombia, Latvia, France,
Wales, Russia, the Netherlands, England, and Germany -- and throughout
the United States. As a journalist, her writing on media arts and
media public policy has been published in The Independent, Gannett
Newspapers, Lola, Afterimage, Main, Lingua France, Search for a
Common Ground, CommonDreams.org, and Filmmaker.com
Collage and Found Footage Film Series
University of Iowa
http://www.uiowa.edu/uima/exhibitions/
—Thursday, Jan. 20, 7 – 9, Museum
Collage films of Joseph Cornell (presented by Alexis Bravos)
—Thursday, Feb. 3, 7 – 9, Shambaugh Auditorium
Collage films from Illegal Art Exhibit (presented by Kembrew McLeod)
—Thursday, Feb. 17, 7 – 9, Van Allen, Lecture Room 2
Collage films by Craig Baldwin (presented by Sasha Waters)
—Saturday, Feb. 26, Tippie Auditorium
Collage Film Festival (organized by IC Microcinema)
—Thursday, Mar, 3, 7 – 9, Shambaugh Auditorium
Collage films by Ximena Cuevas (presented by Claire Fox)
—Thursday, Mar. 31. 7 – 9, Bijou Theater
Collage films by Morrison, Decasia (presented by Jen Proctor)
—Thursday, Apr. 21, 7 – 9, Shambaugh Auditorium
Collage films by Isidore Isou, Venom and Eternity (presented by
Dennis Hanlon)
The POROI-organized Semester of Intellectual Property
events (and related events of interest) are sponsored in part by
the Office of the Vice President for Research, University of Iowa
College of Law, Obermann Humanities Symposium, Arts & Humanities
Initiative Standard and Major Projects Grants, Perry A. and Helen
Judy Bond Fund, Year of the Arts & Humanities, The Ida Cordelia
Beam Distinguished Visiting Professorships Program, UI Biomedical
Ventures Group, SCOPE, the Black Graduate & Professional Student
Organization, the Bijou, Hip-Hop Group, University Lecture Committee,
UI Museum of Art, Graduate College, College of Liberal Arts &
Sciences, Departments of Communication Studies, English, Cinema
and Comparative Literature, Anthropology, History, Rhetoric, and
Women’s Studies. Other Financial support is provided through
a grant from the Rockefeller Foundation (HE 039) to Usha Balakrishnan
at the University of Iowa.
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